After internal political struggles, early in 1939, all submachine guns were recalled from active Red Army units and put into storage. The PPD was a sound design, but its adoption met serious resistance from top brass who envisioned newly developed full-power, self-loading rifles as the future for Red Army infantry and considered submachine guns to be police or even gangster guns. Limited numbers were also procured for the border guard troops of the NKVD. After initial field experience, the design was slightly revised in 1938 to become the PPD-34/38. Furthermore, it was intended for arming officers and non-commissioned officers. Early in 1934, the Trials Commission recommended the new Degtyaryov, and in mid-1935, it was officially adopted by the Red Army as the Pistolet-Pulemyot Degtyaryova (PPD) of 1934. PPD-34/38īetween 19, the Red Army tested more than a dozen new 7.62x35mm submachine guns. That allowed for significant savings on equipment and let workers remanufacture rejected rifle barrels into handgun barrels. More importantly, the round was similar in diameter to the infantry rifle caliber, allowing the same barrel-making equipment to work for pistols, subguns and rifles. One critical reason for choosing the 7.63x25mm Mauser was its popularity thanks to previous purchases of German-made Mauser C96 pistols in that caliber. In 1930, the Red Army finally standardized the slightly modified 7.63x25mm Mauser as its official ammunition for pistols and submachine guns. The Degtyaryov subgun used a top-mounted pan magazine that was bulky but well suited for feeding rimmed 7.62mm Nagant ammunition. Developed by Vasily Degtyaryov, it bore some resemblance to his new light machine gun, the DP-27. The second submachine gun of Soviet design appeared in 1929. Pitch Bend wheel, Modulation wheel, Ribbon Controller, Assignable Control Sliders x 8, Assignable Knobs x 8, Assignable Function buttons x 2, Data dialģ20 x 240 dot, 5.7 inch graphic color backlit LCDģ20 x 240 dot, 5.Soviet Pistols: 5 Combat Handguns Used by the Red Army User: 128 *8 Zones (Master keyboard settings), Assignable Knob/Slider settings, Program Change Table Up to 128 Waveforms (Multi Samples) Up to 256 Key Banks per Waveform Up to 512 Key BanksĪnalog input L/R, Stereo output (Resampling) FW (available when the FW16E has been installed)Ĥ4.1kHz, 22.05kHz, 11.025kHz, 5.5125kHz (Stereo/Mono) Sampling Frequency via FW (when the FW16E has been installed): 44.1kHz (fixed)Ĥ4.1kHz: 6 min.
Original format, SMF format 0, 1 (Format 1 load only) Preset: 7,881 types User: 256 types *MIDI Sync, MIDI transmit/receive channel, Velocity Limit, and Note Limit can be set. Pattern: 16 Phrase tracks Pattern Chain: Pattern track, Tempo track, Scene track Song: 16 sequence tracks (Loop on/off can be set for each track), Tempo track, Scene trackĦ4 Songs Mixing Voices: 16 Voices per Song and up to 256 Voices for all Songs Mixing Templates: 32 for all Songs and PatternsĦ4 Patterns (x 16 sections), Measures: 256 maximum Mixing Voices: 16 Voices per Pattern and up to 256 Voices for all Patterns Mixing Templates: 32 for all Songs and Patterns Real time replace Real time overdub (with the exception of the Pattern Chain) Real time punch in/out (Song only) Reverb x 9 types, Chorus x 22 types, Insertion (A, B) x 53 types x 8 Parts (up to 16 units), Vocoder x 1 (uses both Insertion Effect A and B blocks), Master Effect x 9 types (Preset settings for parameters of each effect type are provided as templates total 320) Master EQ (5 bands), Part EQ (3 bands, stereo) 9 – 32: selected and copied from Preset bank) Preset: 1,024 Normal Voices + 64 Drum Kits GM: 128 Normal Voices + 1 Drum Kit User: 128 x 4 (Bank 1: original, Bank 2 – 4: selected and copied from Preset bank) + 32 Drum Kits (No. Balanced Hammer Effect Keyboard (Initial Touch/Aftertouch)ġ6 Parts (internal), Audio Input Parts (A/D, FW*) *1 stereo Partħ41 MB (when converted to 16-bit linear format), 3,977 waveforms
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